Table of Contents
Section 1: The Contested Valuation of Terrence Howard: A Study in Financial Discrepancy
An examination of the financial standing of the acclaimed actor Terrence Howard reveals a significant and perplexing contradiction.
Publicly available data presents a wide spectrum of net worth estimations, creating a narrative of financial ambiguity that is inconsistent with a career marked by an Academy Award nomination, a pivotal role in the genesis of the Marvel Cinematic Universe (MCU), and a leading position in a ratings-dominant network television series.
This report will conduct a comprehensive forensic analysis of the actor’s financial history, deconstructing the constituent elements of his wealth—and its erosion—to arrive at a more credible and defensible valuation.
The core analytical challenge lies in reconciling the disparate figures reported by various media outlets.
The most frequently cited valuation, originating from the financial tracking platform Celebrity Net Worth, places Terrence Howard’s net worth in a remarkably modest range of $4 million to $5 million.1
This figure has been consistently republished by numerous entertainment and financial news sources, suggesting a broad consensus.1
In stark contrast, an anomalous and unsubstantiated claim from a social media source suggests a net worth of $35 million, a figure that lacks any discernible methodology or supporting evidence.6
This wide variance underscores the unreliability of surface-level data and necessitates a more rigorous, “bottom-up” analytical approach.
This report will therefore move beyond accepting a top-down figure at face value.
Instead, it will construct a financial profile by meticulously examining the three core components of Howard’s economic life: his documented career earnings and the high-stakes disputes that have diminished them; the significant and recurring liabilities arising from tax obligations and matrimonial litigation; and his recent entrepreneurial ventures, which represent potential but unrealized future value.
The persistence of the low single-digit million-dollar valuation is the central financial anomaly requiring explanation.
An actor with Howard’s curriculum vitae would, under normal circumstances, be expected to have accumulated a net worth substantially greater than $5 million.
His roles in culturally and commercially significant projects like Hustle & Flow, Iron Man, and Empire represent moments of immense value creation for studios and networks.
The fact that his personal financial standing does not appear to reflect this value creation suggests that his career has been shaped by extraordinary circumstances.
The low net worth figure is not the story itself, but a symptom.
The true financial narrative is found in the powerful forces that have systematically suppressed his wealth accumulation.
This analysis will demonstrate that Howard’s financial condition is the product of a career-long pattern of contentious contract negotiations, profound pay disputes, and significant financial drains from legal battles with both government authorities and former spouses.
Section 2: Analysis of Career Earnings and High-Stakes Disputes: A Narrative of Diminished Returns
The financial trajectory of Terrence Howard’s career is a case study in the potential disconnect between cultural impact and personal wealth accumulation in the entertainment industry.
Despite being at the center of multiple blockbuster projects, his earnings have been consistently marred by controversy, contract disputes, and allegations of unfair industry practices.
A forensic examination of his compensation from his most iconic roles reveals a pattern of diminished returns, where his potential income was systematically curtailed, setting the stage for his current legal battles and public persona.
Subsection 2.1: The Iron Man Precedent: The Price of Being First
The 2008 film Iron Man was a foundational moment not only for the Marvel Cinematic Universe but also for Terrence Howard’s financial narrative.
At the time of its production, Howard was arguably the most established star in the cast.
Coming off a 2005 Academy Award nomination for Best Actor in Hustle & Flow, he commanded the highest salary on the film, earning $3.5 million for his role as James “Rhodey” Rhodes.7
In contrast, Robert Downey Jr., whose career was considered a higher risk at the time due to past personal issues, was paid a comparatively modest $500,000.7
Howard’s status as the top-billed actor was clear, and his line in the film, “next time, baby,” directly implied a future where he would don the War Machine armor, positioning him as a key figure in the burgeoning franchise.7
However, the enormous success of Iron Man inverted the power dynamics.
For the 2010 sequel, Iron Man 2, Marvel Studios reportedly increased Downey Jr.’s salary to a rumored $10 million plus back-end profits, cementing him as the franchise’s indispensable face.7
This shift had direct and severe consequences for Howard.
According to his account, Marvel reneged on what he claims was a three-picture deal.
Instead of the $8 million he was contractually slated to receive for the second film, the studio offered him a fraction of that amount.10
Howard has stated the offer was as low as “one-eighth” of his original contract, and other reports suggest a drastic reduction to just $40,000 per film.7
The reasons for this dramatic recasting, which saw Don Cheadle take over the role of Rhodey, are the subject of two conflicting narratives.
Howard’s version of events places the blame squarely on Robert Downey Jr. and the studio’s financial decisions.
He has repeatedly claimed that he was instrumental in getting Downey Jr. the role of Tony Stark, alleging he even took a $1 million pay cut on the first film to cover the bond required to insure the then-risky actor.7
When the sequel negotiations began, Howard alleges he reached out to Downey Jr. for support, calling him 27 times without a response.10
In a 2013 interview, Howard stated, “It turns out that the person that I helped become Iron Man…
when it was time to re-up for the second one, took the money that was supposed to go to me and pushed me out”.7
He has framed this as a profound betrayal that cost him not just millions in immediate salary but a potential “$100 million loss” over the life of the franchise.7
The studio’s narrative, circulated through industry sources, presents a different picture.
It has been reported that director Jon Favreau and the film’s producers were unhappy with Howard’s performance on the set of Iron Man, leading to difficult work dynamics and the need to reshoot or extensively edit his scenes.7
According to this version, Howard’s on-set behavior prompted the writers to reduce Rhodey’s role in the
Iron Man 2 script, which in turn justified the studio’s move to renegotiate his salary downward.7
Marvel has also publicly denied Howard’s claim that he played any part in Downey Jr.’s casting.7
Regardless of the true cause, the outcome was financially devastating for Howard.
The
Iron Man recasting represents the foundational event in his financial history, a moment where he stood at the precipice of generational wealth only to be pushed aside as the venture’s value exploded.
This experience appears to have instilled a deep-seated mistrust of the Hollywood studio system and created a framework of perceived financial victimization that would influence his actions for years to come.
Subsection 2.2: The Empire Lawsuit: A Battle Over Pay Equity and Agency
Years after the Iron Man debacle, Terrence Howard landed the lead role of Lucious Lyon in the Fox musical drama Empire, a show that became a cultural phenomenon and a ratings juggernaut upon its premiere in 2015.
His salary for the series reportedly began at $125,000 per episode and rose to a peak of $325,000 per episode by the show’s final season in 2020.11
While a substantial income, Howard now alleges that this compensation was systematically suppressed by his own representatives in a deal that prioritized the agency’s profits over his own.
In December 2023, Howard filed a lawsuit against his former agency, Creative Artists Agency (CAA), seeking over $120 million in damages.13
The lawsuit’s central claim is that CAA had a profound conflict of interest due to a “packaging deal” with Fox.
Under such an arrangement, an agency receives a fee from the studio for packaging key elements of a show (like its stars and creators).
Howard alleges this deal incentivized CAA to keep his salary artificially low, as a lower talent cost would increase the overall profitability of the show for the studio, which in turn benefited CAA through its profit-participation stake.11
Howard claims he was underpaid by as much as 30% to 50% of what an actor of his stature and name recognition should have earned on a series with
Empire‘s massive viewership.12
A crucial component of Howard’s lawsuit is the allegation of racial pay disparity.
He has publicly drawn a direct comparison between Empire and the CBS sitcom The Big Bang Theory, another highly successful show where key cast members were also represented by CAA.13
Howard has pointed out that at its peak,
Empire drew 28 million viewers, while The Big Bang Theory had 11 million viewers.13
Yet, he claims, the “white kids” on the latter show were earning between $2 million and $3 million per episode, while he, an Oscar-nominated actor leading a more-watched show, was earning $325,000.13
It is this stark comparison that forms the basis for his $120 million claim, which he calculates is “based on what would’ve been paid to white counterparts”.13
This legal battle is not merely a financial dispute; it is an extension of the narrative that began with Iron Man.
Having felt cheated out of a fortune once before, Howard appears to have retroactively applied that lens to his experience on Empire.
The show’s success, juxtaposed with what he now perceives as inequitable pay, has fueled a legal challenge that attacks the very structure of talent representation in Hollywood.
Further fueling his narrative of systemic opposition, Howard has claimed that after he began demanding the money he believes he is owed, he received a mysterious and unsolicited check for $666, which he interpreted as a thinly veiled threat from his powerful adversaries.13
Subsection 2.3: The Hustle & Flow Royalties Claim: An Alleged 20-Year Deception
Reinforcing his overarching narrative of financial exploitation, Howard has recently made stunning claims about his compensation for his most critically acclaimed role.
He has stated in multiple interviews that he was paid only $12,000 for his lead performance as DJay in the 2005 film Hustle & Flow, a role that earned him an Academy Award nomination.1
He further claims he was paid a mere $6,000 for his role in
Crash, which went on to win the Academy Award for Best Picture.16
These figures, if accurate, highlight the precarious financial reality for many actors, even on successful and prestigious projects.
The more significant financial allegation, however, concerns the music from Hustle & Flow.
The film’s soundtrack was a key part of its success, with the song “It’s Hard Out Here for a Pimp” winning an Oscar for Best Original Song.
Howard, who performed the songs in the film, alleges that he has never received performance royalties.
He claims that Paramount Pictures, the film’s distributor, employed a deceptive contractual tactic to deny him this income stream.
According to Howard, instead of crediting the songs as “Performed by Terrence Howard,” the studio credited them as “Performed by DJay,” the name of his character in the film.16
Because Paramount owned the rights to the character of DJay, the studio was able to collect all subsequent performance royalties for the music, effectively cutting Howard out of nearly two decades of potential earnings.18
This claim, much like his lawsuit against CAA, fits neatly into the pattern of his financial narrative.
It portrays a powerful corporation using a contractual loophole to profit from his artistic labor while paying him a pittance.
Howard has stated that he now intends to sue Paramount to recover what he estimates to be 20 years’ worth of unpaid residuals and royalties.16
This potential claim represents a significant, albeit currently unrealized, asset.
Together, these three disputes—Iron Man, Empire, and Hustle & Flow—are not isolated incidents.
They are the three pillars supporting a single, coherent narrative that has come to define Terrence Howard’s financial life: that he is an artist who generates immense value for Hollywood, only to be systematically denied his fair share through contractual disputes, bad-faith negotiations, and conflicts of interest.
This narrative is now the primary engine of his legal strategy and a key to understanding the paradox of his wealth.
Section 3: The Liability Ledger: Tax Burdens and Matrimonial Finance
While Terrence Howard’s income has been the subject of intense dispute, the other side of his financial ledger—his liabilities—is equally dramatic and provides a crucial explanation for his contested net worth.
A history of significant tax debts and a series of contentious divorces have created a substantial and persistent drain on his resources.
This pattern of conflict-driven financial management, characterized by brinkmanship and unconventional legal tactics, has been a primary factor in suppressing his wealth accumulation.
Subsection 3.1: A History of Tax Confrontations
Howard’s struggles with tax authorities are not a recent development but a recurring theme throughout his career.
This long history of non-compliance culminated in a major federal judgment in 2024, but the pattern was established nearly two decades earlier.
The most significant current liability stems from a default judgment issued against him on February 22, 2024.
A federal judge in Philadelphia ordered Howard to pay a total of $903,114.72 in back taxes, penalties, and interest.22
The bulk of this liability relates to unpaid income taxes from the years 2010 and 2011.22
The judgment was issued after the Department of Justice sued Howard in 2022 and, after more than a year of attempting to engage him in court, received no formal response.25
Howard’s only communication on the matter was highly unorthodox.
He reportedly left a voicemail for the lead DOJ tax attorney, Maria Elizabeth Ruwe, in which he did not dispute the facts but instead challenged the government’s moral authority to tax him.
He argued it was “immoral for the United States government to charge taxes to the descendants of slaves”.22
In the message, he stated, “Four hundred years of forced labor and never receiving any compensation for it.
Now you have the gall to try and prosecute and charge taxes to the descendants of a broken people…
We’re gonna bring you down”.22
The Internal Revenue Service (IRS) officially categorizes such reparation-based arguments as “frivolous,” and they carry no legal weight in tax court.22
This 2024 judgment is the latest in a long series of documented tax issues:
- In 2019, it was reported that Howard was under investigation for criminal tax evasion.22
- The State of California Franchise Tax Board hit him with a state tax lien for $144,000 in 2019 and previously listed him as one of its largest delinquents with a debt of $256,000.22
- The IRS filed a lien for $1.1 million against his Pennsylvania property for unpaid taxes in 2007 and 2008.24
- In 2005 and 2006, state tax liens totaling nearly $639,000 were filed against the same property in Plymouth Meeting, Pennsylvania, though these were later settled.22
The decision by the DOJ to pursue a civil lawsuit to collect on the 2010 and 2011 debt is particularly noteworthy.
Generally, the IRS has a ten-year statute of limitations to collect back taxes.
By filing a civil suit and winning a judgment, the government can override this limit and potentially pursue collection for decades.22
This rare and aggressive move suggests that federal authorities view Howard as a particularly recalcitrant taxpayer, and his high profile likely made him a target for enforcement action to deter others.22
Subsection 3.2: The Financial Fallout of Divorce
Parallel to his battles with the IRS, Howard’s personal life has been marked by several tumultuous and financially significant divorces.
His most notable matrimonial legal battle was with his second wife, Michelle Ghent.
The couple’s 2012 divorce settlement was, in a highly unusual move, thrown out by a California judge in August 2015 on the grounds that Howard had signed it under duress.28
The original settlement was financially crippling for Howard.
It required him to pay Ghent $5,800 per month in spousal support and, more critically, a significant portion of his future earnings.30
This clause became particularly onerous with the massive success of
Empire, as Ghent was positioned to claim a large share of his salary from the show.28
To escape this obligation, Howard pursued a high-risk legal strategy, arguing he was coerced into signing the deal.
His attorneys presented evidence that Ghent had blackmailed him, threatening to release embarrassing personal materials—including nude videos, recordings of him having phone sex with other women, and allegations that he had given her an STD—if he did not agree to her financial terms.28
The judge ultimately agreed, stating that while Howard was a “bully,” it did not mean he could not “be bullied”.29
The decision to void the settlement was a major financial victory for Howard, saving him a substantial portion of his
Empire income.
However, it came at the cost of having deeply personal and damaging information aired in open court, demonstrating a willingness to engage in scorched-earth tactics to protect his finances.
Howard has been married five times to three women.
He was married to and divorced from his first wife, Lori McCommas, twice.32
Following his divorce from Ghent, he married his third wife, Mira Pak, in late 2013.
They divorced in July 2015, shortly after the birth of their son, though they have since reconciled and became engaged again in 2018.27
While the specific financial details of his other settlements are not public, the pattern of multiple divorces represents a consistent and significant potential for wealth depletion.
The combination of these liabilities paints a clear picture.
The recurring, substantial tax debts and the costs associated with contentious divorces have acted as a powerful counterbalance to his career earnings.
The table below summarizes the scale of these documented financial pressures.
| Liability Type | Amount | Year(s) of Liability | Status | Source(s) |
| Federal Tax Judgment | $903,114.72 | 2010, 2011, 2016, 2017, 2019 | Judgment Issued (Feb 2024) | 22 |
| IRS Tax Lien | $1.1 million | 2007, 2008 | Lien Filed | 24 |
| Pennsylvania State Tax Liens | ~$639,000 | 2005, 2006 | Settled | 22 |
| California State Tax Lien | ~$256,000 | 2010s | Lien Filed | 24 |
| Spousal Support (Original Ghent Deal) | $5,800/month + % of future earnings | 2012-2015 | Overturned (Aug 2015) | 30 |
This pattern of high-stakes conflict appears to be a core component of Howard’s financial management style.
Whether dealing with the IRS or former spouses, his approach often involves public confrontation and unconventional arguments.
This strategy, while occasionally successful, is inherently risky and financially draining, contributing significantly to the suppression of his overall net worth.
Section 4: Beyond Hollywood: Entrepreneurship and Future Value
In response to what he perceives as a corrupt and exploitative entertainment industry, Terrence Howard has embarked on an entrepreneurial path aimed at building wealth and influence outside the traditional Hollywood system.
His primary venture, a talent discovery platform named Holly, represents his most significant potential future asset.
This endeavor is not merely a business investment; it is the financial and philosophical culmination of his career-long battles, a direct attempt to create a new system where the power dynamics that he feels have victimized him are fundamentally inverted.
Subsection 4.1: Holly: A Disruptive Venture or High-Risk Bet?
Launched in April 2023, Holly is an app-based talent discovery platform co-founded by Howard and his wife, Mira Howard.36
The platform’s explicit mission is to “democratize” Hollywood by disrupting the long-standing agency model.38
Billed as a “LinkedIn meets Instagram for talent,” Holly aims to eliminate the industry gatekeepers—agents, managers, and casting directors—that Howard holds responsible for his own financial grievances.37
The platform allows aspiring actors, filmmakers, and other creatives to upload their portfolios, demo reels, and auditions, creating a direct channel to producers, studios, and executives who are seeking new talent.40
The business model for Holly is designed to invert the traditional power structure.
The platform is completely free for creative talent to join and showcase their work.37
Revenue is generated by charging subscription fees to the other side of the marketplace: industry executives, production companies, and studios who wish to scout for talent and post casting calls.37
The company plans to build additional revenue streams, including a marketplace for legal and management services, premium memberships for access to advanced data metrics, brand sponsorships, and ticketing for live and virtual events.41
The financing of the company reflects its “democratization” ethos.
After being initially bootstrapped by the Howards, the company launched an equity-based crowdfunding campaign.38
This strategy allows anyone, including the aspiring artists the platform serves, to invest directly in the company, with shares offered at $1 each and a minimum investment of $500.40
By targeting the $2 trillion global media and entertainment market, the venture presents itself as a high-growth opportunity for small-scale investors.40
Despite its ambitious mission, Holly faces formidable challenges.
The primary obstacle is the difficulty of building a successful two-sided marketplace, which requires attracting a critical mass of both talent and industry decision-makers simultaneously.
Furthermore, it must compete with the entrenched power and legacy relationships of major Hollywood talent agencies, which have controlled access to opportunities for decades.40
The platform’s value is, at present, entirely speculative.
Its success hinges on its ability to achieve widespread industry adoption and prove that it can be a viable alternative to the established system.
Holly is the manifestation of Howard’s worldview; its success would validate his critique of Hollywood, while its failure could be seen as a failure of his vision to create a workable alternative, potentially leaving him more financially dependent on the system he seeks to disrupt.
Subsection 4.2: Ancillary Ventures: Music and Science
Beyond his primary focus on acting and the Holly platform, Howard has engaged in other creative and intellectual pursuits, though their financial impact appears to be minimal.
His music career includes a solo album, Shine Through It, released in 2008, as well as musical contributions to the Empire soundtrack and his performance in Ray.36
While these projects demonstrate his musical talents, there is no evidence to suggest they have generated a significant independent income stream.
His claims regarding unpaid royalties from
Hustle & Flow remain his most significant potential music-related financial asset, but it is a contingent one that depends on future legal action.
Howard has also cultivated a public persona as a scientific thinker and inventor.
He claims to have more than 50 patents pending based on his personal scientific research and is also an artist who creates light sculptures influenced by sacred geometry.36
These pursuits have become a notable part of his public identity, often leading to controversial interviews and online debates about his theories.43
However, without any evidence of commercialization, licensing, or sales, these ventures must be categorized as personal interests rather than tangible financial assets.
They do not currently contribute to his net worth in any measurable way, though they significantly shape the public’s perception of him as a uniquely complex and unconventional figure.
Section 5: Synthesis and Final Valuation
A comprehensive analysis of Terrence Howard’s financial profile reveals a narrative far more complex than a single net worth figure can convey.
His economic standing is the product of a paradoxical career, one in which immense professional success has been consistently counterbalanced by high-stakes disputes and substantial liabilities.
By synthesizing his known assets, documented liabilities, and speculative ventures, a credible valuation emerges that explains the discrepancy between his public stature and his reported wealth.
Subsection 5.1: Reconciling Assets and Liabilities: A Defensible Net Worth Estimate
Calculating Howard’s precise net worth is challenging due to the private nature of many financial details.
However, by balancing his known income streams against his public liabilities, it is possible to construct a plausible estimate.
His assets are primarily derived from his decades-long acting career.
While his exact earnings are not public, his known salaries—such as the $3.5 million for Iron Man and the per-episode fees rising to $325,000 for Empire—confirm a history of multi-million-dollar income.7
Over a career with more than 100 film and television credits, his gross earnings have undoubtedly been substantial.42
These earnings, however, have been severely eroded by a formidable list of liabilities.
The most concrete and immediate liability is the $903,115 federal tax judgment from February 2024.22
This is compounded by a documented history of other significant tax liens totaling well over $1 million, along with the financial costs associated with multiple divorces and ongoing legal fees for his various disputes.22
The most significant variables in his financial future are his contingent assets and liabilities.
His $120 million lawsuit against CAA and his potential claim for 20 years of unpaid royalties from Hustle & Flow represent enormous potential upside.13
However, these are currently speculative legal claims, not liquid assets.
They cannot be included in a present-day net worth calculation.
In fact, in the short term, they represent a liability in the form of substantial legal costs required to pursue them.
Similarly, the Holly platform is a speculative venture whose future value is unknown.40
Given this balance, the widely reported net worth figure of $4 million to $5 million appears to be the most plausible and defensible estimate.1
This valuation reasonably reflects the financial position of an individual who has earned tens of millions of dollars over his career but has seen that wealth significantly diminished by a consistent pattern of tax burdens, costly divorces, and high-stakes legal battles.
The potential multi-million dollar windfalls from his lawsuits and the speculative value of his entrepreneurial ventures represent possible future growth, but they do not constitute his current net worth.
Subsection 5.2: Concluding Insights: The Financial Narrative of Terrence Howard
The financial story of Terrence Howard is ultimately a paradox.
He is an undeniably gifted actor who has achieved global fame and been central to some of Hollywood’s most significant cultural and commercial successes.
Yet, his financial standing appears precarious and falls far short of the wealth typically associated with such a career.
This report concludes that this paradox is not accidental but is the direct result of a career defined by a relentless cycle of conflict.
This cycle manifests in three distinct arenas: high-stakes financial disputes with his employers and representatives (Iron Man, Empire, Hustle & Flow); protracted and costly legal battles with government tax authorities; and tumultuous personal relationships that have led to financially draining divorces.
His public narrative—that of a righteous individual fighting against a corrupt, powerful, and racially biased system—is both a cause and an effect of his financial condition.
It is the ideological fuel for his legal fights, which in turn drain his resources, reinforcing his position as an outsider battling entrenched systems.
Ultimately, Terrence Howard’s net worth is more than a number; it is a metric of conflict.
It reflects the financial cost of a career spent not only performing within the Hollywood system but actively fighting against the very structures that made him a star.
This has left him in a state of perpetual financial contention, where his future wealth depends less on his next acting role and more on the outcome of his battles in the courtroom and the success of his attempt to build a new system in his own image.
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- Terrence Howard’s Divorce Settlement Tossed Out By Judge Due To …, accessed on August 7, 2025, https://www.charlottedivorcelawyerblog.com/terrence-howards-divorce-settlement-tossed-out-by-judge-due-to-coercion/
- Terrance Howard’s divorce settlement tossed – Venzon Law Firm, accessed on August 7, 2025, https://www.venzonlawfirm.com/terrance-howards-divorce-settlement-tossed/
- Terrence Howard reportedly cries in court during divorce settlement battle – Rolling Out, accessed on August 7, 2025, https://rollingout.com/2015/08/15/terrence-howard-reportedly-cries-in-court-during-divorce-settlement-battle/
- Report: Terrence Howard’s Divorce Settlement with Second Wife Overturned – East Idaho News, accessed on August 7, 2025, https://www.eastidahonews.com/2015/08/report-terrence-howards-divorce-settlement-second-wife-overturned/
- Terrence Howard, wife Mira Pak divorced in July – UPI.com, accessed on August 7, 2025, https://www.upi.com/Entertainment_News/2015/08/18/Terrence-Howard-wife-Mira-Pak-divorced-in-July/3011439909021/
- Terrance Howard says he was blackmailed into divorce settlement – Venzon Law Firm, accessed on August 7, 2025, https://www.venzonlawfirm.com/terrance-howard-says-he-was-blackmailed-into-divorce-settlement/
- Judge Says Terrence Howard’s Ex Blackmailed Him With Nudes | LAist, accessed on August 7, 2025, https://laist.com/news/entertainment/terrence-howard-blacmail
- Terrence Howard Divorces Third Wife Mira Pak – Extra TV, accessed on August 7, 2025, https://extratv.com/2015/08/18/terrence-howard-divorces-third-wife-mira-park/
- Terrence Howard – Artist & Brand Management, accessed on August 7, 2025, https://www.artistandbrand.com/clients/terrence-howard
- Terrence Howard Launches App-Based Hollywood Talent Discovery Platform (Exclusive), accessed on August 7, 2025, https://www.thewrap.com/terrence-howard-mira-howard-holly/
- Actor Terrence Howard Launches Holly™, a Hollywood Talent – GlobeNewswire, accessed on August 7, 2025, https://www.globenewswire.com/news-release/2023/04/14/2647087/0/en/Actor-Terrence-Howard-Launches-Holly-a-Hollywood-Talent-Discovery-Platform-That-Disrupts-the-Traditional-Talent-Agency-Model-By-Giving-Actors-Greater-Access-to-Opportunities.html
- ‘Empire’ Star Terrence Howard and Mira Howard Talk with SCREEN, Launch Disruptor Platform Holly – Screen Magazine, accessed on August 7, 2025, https://screenmag.com/empire-star-terrence-howard-and-mira-howard-talk-with-screen-launch-disruptor-platform-holly/
- Is Holly a Good Investment? We Break Down the Case for Investing In Holly Stock – Money & Mimosas, accessed on August 7, 2025, https://www.moneyandmimosas.com/growmoney/is-holly-a-good-investment
- Thinking About Investing In Holly, The Startup Democratizing Hollywood? – Medium, accessed on August 7, 2025, https://medium.com/democratizing-finance/thinking-about-investing-in-holly-the-startup-democratizing-hollywood-045aaa5284ea
- Terrence Howard – Wikipedia, accessed on August 7, 2025, https://en.wikipedia.org/wiki/Terrence_Howard
- Terrence Howard speaks on getting fired from Marvel – Says his agent had an emotional reaction to a business decision. He also says he sacrificed $1 Million to help Robert Downey Jr get the Iron Man role, but RDJ never returned the favor and ghosted him when he needed help. : r/JoeRogan – Reddit, accessed on August 7, 2025, https://www.reddit.com/r/JoeRogan/comments/1cwcwup/terrence_howard_speaks_on_getting_fired_from/
- Terrence Howard: Back in the Saddle! – YouTube, accessed on August 7, 2025, https://www.youtube.com/watch?v=EYodthAGUx4
- More Terrence Howard on Joe Rogan Insanity – YouTube, accessed on August 7, 2025, https://www.youtube.com/watch?v=oXx25Jg7q44&pp=0gcJCfwAo7VqN5tD
