Table of Contents
Executive Summary & Financial Profile
The financial life of Donna Douglas, the actress immortalized as Elly May Clampett in The Beverly Hillbillies, presents a compelling narrative that diverges sharply from the modern paradigm of television stardom.
Her story is not one of immense wealth accumulated from a single hit show, followed by a lifetime of passive income from royalties and syndication.
Instead, it is a testament to a lifetime of continuous, active work across a diverse portfolio of modest-income streams, all built upon the foundation of an iconic but, by contemporary standards, remarkably low-paying role.
Douglas’s final net worth was substantial, positioning her as a multi-millionaire at the time of her death.
However, this financial standing was achieved less through her initial acting salary and more through decades of subsequent labor, prudent real estate ownership, the monetization of her public persona through appearances, and strategic, if sometimes fraught, litigation to defend the value of her image.
During the height of her fame in the 1960s, a significant disparity existed between her public profile and her direct compensation.
As one of the most recognizable faces on American television, her salary from the top-rated series was surprisingly meager, with the vast majority of the show’s profits flowing to its creators and production company.1
The financial structure of 1960s television, with its minimal residual payments for reruns, ensured that the end of the show’s run necessitated a new chapter of active income generation.2
In the decades following The Beverly Hillbillies, Douglas pivoted to a multi-faceted career.
She worked as a real estate agent in Beverly Hills, became a gospel and country singer, authored religious-themed children’s books, and was a fixture on the public speaking circuit.3
Each of these endeavors provided a stream of income, but none offered the scale of wealth associated with her television fame.
Her financial journey was also marked by two significant legal battles.
The first, a $200 million plagiarism lawsuit against Disney regarding the film
Sister Act, ended in a total loss after she rejected a $1 million settlement offer, representing a major financial setback.3
The second, a more targeted lawsuit against Mattel and CBS over the unauthorized use of her likeness for a Barbie doll, resulted in a successful confidential settlement, affirming the monetary value of her personal brand.7
Upon her death in 2015, reports surfaced that her estate was auctioned for “millions”.10
A detailed analysis suggests this figure likely represents the total valuation of her estate, with real property being the primary component, rather than the proceeds from the auction of her personal memorabilia alone.
Ultimately, Donna Douglas’s financial history is that of an astute and resilient woman who leveraged her enduring fame into a lifetime of work, culminating in a significant estate that fulfilled the goal she set for herself as a young single mother: to provide a secure future for her son.11
The Foundation of Fame: Initial Earnings and Building a Profile (1950s – 1962)
Donna Douglas’s journey to financial independence and stardom began not in the studios of Hollywood, but on the beauty pageant stages of her native Louisiana.
Born Doris Ioni Smith, her early life was marked by a determination to build a career to support herself and her young son, Danny.6
Her striking looks led her to win the titles of “Miss Baton Rouge” and, in 1957, “Miss New Orleans”.10
These titles, while not directly lucrative, served as invaluable assets.
They provided the credentials, visibility, and confidence needed to leave her son in the care of her parents and move to New York City to pursue a career in entertainment.11
In New York, her initial income was a patchwork of modest but strategic jobs.
She worked as an illustration model for products like toothpaste and appeared in non-speaking roles in television commercials.11
These positions provided a basic living wage while placing her in the orbit of the burgeoning television industry.
Her profile grew significantly with decorative but nationally televised roles as the “Letters Girl” on
The Perry Como Show in 1957 and the “Billboard Girl” on The Steve Allen Show in 1959.11
While these roles paid standard scale wages for the time, their true value was in the exposure they offered.
This visibility culminated in an appearance on
The Ed Sullivan Show, which caught the eye of legendary film producer Hal B.
Wallis.6
This “discovery” by Wallis marked a pivotal transition in her financial trajectory.
It elevated her from a freelance model and television personality to a contract player in Hollywood.
She landed her first credited film role in the 1959 drama Career, which starred major names like Dean Martin and Shirley MacLaine.6
This was followed by a steady stream of guest-starring roles on popular television series of the era, including
Mr. Ed, The Adventures of Ozzie and Harriet, Adam 12, and a particularly memorable 1960 episode of The Twilight Zone titled “Eye of the Beholder”.6
She also secured bit parts in major studio films such as the musical
Li’l Abner (1959) and the Rock Hudson-Doris Day comedy Lover Come Back (1961).14
This period of her career exemplifies the classic financial model for an aspiring actress in the studio system.
Her income was derived from a series of individual, relatively low-paying jobs.
The primary objective was not immediate wealth accumulation but rather the systematic building of a professional profile.
Each role was an investment of time and talent, designed to increase her visibility and position her for a breakout opportunity.
Her early financial life was a calculated effort to create the potential for significant earnings, a potential that was fully realized when she auditioned for a new sitcom pilot in 1961.11
The Beverly Hillbillies Era: Peak Fame, Muted Fortunes (1962 – 1971)
In 1962, Donna Douglas secured the role that would define her career and make her a household name, beating out more than 500 other actresses to play the tomboyish Elly May Clampett.6
The Beverly Hillbillies was an immediate and colossal success for the CBS network.
Premiering on Douglas’s 29th birthday, the show became the number one program in the United States within its first two years and remained a ratings powerhouse for its entire nine-season run from 1962 to 1971.11
Douglas became an icon of 1960s television, receiving more fan mail than any of her castmates and gracing the cover of TV Guide nine times.11
Despite this immense popularity, the financial reality for the cast was starkly different from what their level of fame might suggest.
The salary structure of 1960s television heavily favored the owners of the intellectual property over the on-screen talent.
Max Baer Jr., who played Jethro Bodine, provided a candid look at the cast’s compensation, revealing that his pay was shockingly low relative to the show’s success.
He stated, “The first year of the series I made $500 a show.
Second year of the series, I made $600 or $700 a show.
Third year, we were the number one show in the country, I think I made $800″.1
He confirmed that the real financial beneficiaries were the production company, Filmways, and the show’s creator, Paul Henning.1
This indicates that Douglas’s salary would have been in a similar range, a modest weekly wage for starring on the most-watched show in America.
Furthermore, the potential for long-term passive income through reruns, a primary source of wealth for modern television stars, was severely limited.
Actress Bea Benaderet, a contemporary of Douglas who starred in the related Paul Henning production Petticoat Junction, explained the standard residual payment structure of the era: “They get ninety dollars for the first rerun, and this is scaled down to forty dollars for the sixth rerun”.2
These minimal, capped payments meant that once the show ceased production, the primary income stream for the cast effectively ended, with no substantial, ongoing royalties to follow.
The cast could pursue ancillary income through what Baer Jr. termed “fringe benefits”.1
For Douglas, this included a significant one-time paycheck for her starring role opposite Elvis Presley in the 1966 musical film
Frankie and Johnny, filmed during a summer hiatus from the series.6
However, her opportunities for lucrative endorsements were curtailed by her personal convictions.
As a devout Christian, she refused to participate in television spots for the show’s tobacco sponsor, Winston cigarettes, agreeing only to promote Kellogg’s Corn Flakes.11
This decision, while principled, likely represented a forfeiture of significant income.
The financial model of
The Beverly Hillbillies was a clear “labor versus ownership” system.
The cast members were, in essence, highly visible laborers paid a wage for their services.
The true, generational wealth was generated by and retained by the owners of the show itself.
This structure is the single most important factor in understanding Douglas’s financial history, as it necessitated her multi-decade, post-Hollywood portfolio career to ensure her long-term financial security.
Life After Hollywood: Crafting a Diversified Post-Acting Portfolio
Following the cancellation of The Beverly Hillbillies in 1971, Donna Douglas faced the dual challenges of professional typecasting and a rapidly changing Hollywood landscape.
Her indelible association with Elly May Clampett made it difficult for audiences and casting directors to see her in other roles.
Simultaneously, her deeply held Christian beliefs precluded her from accepting the more mature and risqué parts that became common in the 1970s.11
These factors led to her effective retirement from mainstream acting and prompted a strategic pivot toward a diversified portfolio of careers that leveraged her fame in new ways.
Real Estate Ventures (The Clarification)
Recognizing the value of her name and connections, Douglas obtained her real estate license and began working as an agent in the lucrative Beverly Hills market around 1974.
She pursued this career for approximately four to five years.5
This was a logical move, allowing her to capitalize on her celebrity status in a field reliant on networking and trust.
It is critical, however, to distinguish actress Donna Douglas’s real estate career from that of another Donna Douglas, a highly successful, award-winning realtor currently active in the East Texas market.17
The financial data associated with the Texas-based agent—including metrics such as 89 closed sales valued at a total of $21.9 million—are extensive and publicly available.20
This data
does not apply to the actress and must be excluded from any analysis of her financial history.
The actress’s time in real estate was a chapter in the 1970s and provided a source of income, but it should not be conflated with the career of her contemporary namesake.
The Gospel and Country Singer
A devout Christian throughout her life, Douglas channeled her faith into a career as a singer.
Beginning in the 1970s and continuing for several decades, she recorded and performed gospel and minor country Music.3
Her first gospel album was released in 1982.13
Her discography includes titles such as
Donna Douglas Sings Gospel (1982), Here Come the Critters (1983), and Back on the Mountain (1989).13
This career provided a supplemental income stream through album sales and paid performances at churches, religious gatherings, and community events across the country.23
While not a mainstream commercial success on the level of top recording artists, it represented a consistent and personally fulfilling way to monetize her public profile.
The Author and Speaker Circuit (The Clarification)
Douglas further extended her brand into publishing and public speaking.
She authored several religious-themed children’s books, including Donna’s Critters & Kids: Children’s Stories with a Bible Touch, which combined stories with a coloring book, and a 2011 publication titled Miss Donna’s Mulberry Acres Farm.6
She also published a cookbook featuring Southern recipes.25
For decades, she was a sought-after motivational speaker, appearing at church groups, youth events, schools, and fan conventions, where she would command appearance fees.6
As with her real estate career, it is imperative to differentiate actress Donna Douglas from another author of the same name.
The actress’s literary output was limited to a few niche, self-marketed titles.
She is not the prolific British author Donna Douglas, who has penned the extensive and commercially successful Nightingale series and Yorkshire Blitz trilogy of historical novels.26
Attributing the sales and royalties from this large body of work to the actress would grossly misrepresent her income.
Entrepreneurial Efforts
Beyond these larger endeavors, Douglas engaged in smaller-scale entrepreneurial efforts to directly capitalize on her Elly May persona.
She marketed her own Elly May doll and, in a nod to her character’s love for animals, promoted a perfume for cats and dogs called “Critter Cologne,” which reportedly sold for $50 per bottle.5
These ventures demonstrate her savvy as a personal brand manager in an era before the rise of social media influencers.
Lacking the passive income streams of modern celebrities, she had to actively and continuously convert her fame into cash through a labor-intensive but diverse portfolio of activities.
Her work—speaking tours, niche publishing, and small product lines—was a pioneering example of leveraging a personal brand for sustained financial independence.
High-Stakes Litigation: A Financial Analysis of Douglas’s Lawsuits
In the latter half of her career, Donna Douglas engaged in two major lawsuits that represented significant financial events.
These legal battles were not merely disputes over principle; they were high-stakes financial transactions with the potential for massive gains or devastating losses.
An analysis of their divergent strategies and outcomes is essential to understanding her overall financial history.
| Case | Year Filed | Claim | Amount Sought | Key Event | Financial Outcome |
| Douglas v. Disney et al. | 1993 | Plagiarism of the book/screenplay A Nun in the Closet for the film Sister Act.3 | $200 million 3 | Rejected a $1 million settlement offer from Disney in 1994.3 | Lost the case; received no damages and was responsible for her own legal fees.3 |
| Douglas v. Mattel & CBS | 2011 | Unauthorized use of her name and likeness on the packaging of an “Elly May” Barbie doll.31 | Minimum of $75,000 in damages.8 | Defendants initially claimed exclusive rights to the character.8 | Confidential out-of-court settlement; case dismissed with all parties bearing their own costs.8 |
The $200 Million Gamble: The Sister Act Lawsuit
In 1993, Douglas and her business partner, Curt Wilson, filed a massive $200 million lawsuit against The Walt Disney Company, Whoopi Goldberg, Bette Midler, and other entities.3
They alleged that the blockbuster film
Sister Act was plagiarized from a book titled A Nun in the Closet, for which they owned the rights and had developed a screenplay.3
The most critical moment in this legal saga was a financial one.
In 1994, Disney offered the plaintiffs a $1 million out-of-court settlement.3
Douglas and her partner rejected this offer, choosing to pursue the full $200 million claim in court.
This decision proved to be a catastrophic financial miscalculation.
The judge ultimately found in favor of the defendants, and Douglas and her partner received nothing.3
The financial impact of this failed litigation should be viewed not as a net zero, but as a significant negative event.
The loss can be quantified as the $1 million in certain gains that were forfeited, compounded by the substantial, multi-year legal fees incurred in pursuing the case.
This lawsuit represented the single largest identifiable financial loss of her career, a high-risk gamble that failed completely and likely erased a considerable portion of the wealth she had accumulated up to that point.
Defending a Likeness: The Mattel/CBS Lawsuit
Nearly two decades later, Douglas entered into a second major lawsuit, but with a markedly different strategy.
In 2011, she filed a federal suit against Mattel and CBS Consumer Products.31
The claim was that the companies had produced and marketed an “Elly May” Barbie doll that used her name and, crucially, a photograph of her in character on the packaging, without her authorization or endorsement.15
The stakes in this case were far more modest and targeted.
The lawsuit sought a minimum of $75,000 in damages for the violation of her “right of publicity,” arguing that her personal likeness had a distinct commercial value.31
While CBS and Mattel initially argued that their exclusive rights to the
Beverly Hillbillies character covered such usage, the pressure of litigation led to a different outcome.8
In December 2011, the case was settled out of court for a confidential amount, and the suit was dismissed with all parties agreeing to bear their own costs.8
Douglas’s attorney publicly stated that she was “happy with the result,” suggesting the settlement was favorable and likely met or exceeded the initial damages sought.8
In stark contrast to the
Sister Act debacle, the Mattel lawsuit was a financially savvy and successful endeavor.
It was a well-defined claim with a realistic financial goal.
By forcing a settlement, Douglas successfully affirmed that her personal image held a monetary value separate from the character rights owned by the network.
This victory represented a successful monetization of her enduring legacy, turning her historical image directly into a cash asset.
Comparative Financial Trajectories: Douglas’s Wealth in Context
To accurately assess Donna Douglas’s financial success, it is essential to view it not in a vacuum, but in the context of the careers of her co-stars from The Beverly Hillbillies.
The cast members all began from a similar financial starting point—a popular but low-paying television series with minimal residuals—yet their financial paths diverged dramatically in the decades that followed, reflecting their different post-show strategies and business acumen.
| Cast Member | Character | Estimated Net Worth | Primary Post-Show Financial Strategy |
| Donna Douglas | Elly May Clampett | Multi-millionaire (at death) | Diversified portfolio: real estate, singing, authoring, speaking, litigation.3 |
| Buddy Ebsen | Jed Clampett | Substantial estate (at death) | Continued acting career (Barnaby Jones), savvy real estate and art investments.35 |
| Irene Ryan | Granny | $1 million (at death in 1973) | Philanthropy: Established the Irene Ryan Foundation with her estate to fund acting scholarships.36 |
| Max Baer Jr. | Jethro Bodine | $50 million (est. 2022) | Film production and IP ownership (Macon County Line), licensing ventures.37 |
| Nancy Kulp | Jane Hathaway | $1-2 million (at death in 1991) | Diversified career: politics (run for Congress), teaching at a university.39 |
An analysis of these divergent paths reveals critical insights into Douglas’s own financial standing.
Max Baer Jr. stands as the most financially successful of the supporting cast, with an estimated net worth of $50 million.37
His strategy was a direct response to the “labor vs. ownership” model that limited his earnings on
The Beverly Hillbillies.
He transitioned from actor to producer and owner.
He wrote and produced the 1974 film Macon County Line, which was made for less than $200,000 and grossed over $30 million, becoming one of the most profitable films per dollar invested at the time.38
Baer’s wealth was built by creating and owning new, valuable intellectual property, a path Douglas did not pursue.
Irene Ryan, who played Granny, passed away in 1973 with a net worth of approximately $1 million.36
Her legacy is one of philanthropy rather than personal accumulation.
She bequeathed the bulk of her estate to create the Irene Ryan Foundation, which to this day provides scholarships to student actors, making a lasting impact on the theater world.
Nancy Kulp, who played Jane Hathaway, had a net worth estimated at $1-2 million at the time of her death in 1991.39
Like Douglas, she pursued a diversified post-Hollywood career that indicated a need for continued income, including a notable run for the U.S. Congress and a position as an artist-in-residence at a university.
Buddy Ebsen, the show’s lead, had a much longer and more varied career before and after The Beverly Hillbillies, including his starring role in the long-running detective series Barnaby Jones.
His substantial estate was the result of this extended career combined with savvy investments, particularly in real estate and Art.35
Within this context, Donna Douglas’s financial trajectory emerges as a successful middle ground.
She was more actively entrepreneurial and litigious in defense of her brand than Ryan or Kulp, resulting in a more significant net worth.
However, she did not achieve the scale of “ownership” success that propelled Max Baer Jr. into a higher echelon of wealth.
Her strategy was to continuously and actively monetize her existing, famous persona, whereas Baer’s was to leverage his fame to create entirely new, valuable properties.
Final Valuation: The Estate, the Auction, and Legacy
Donna Douglas passed away on January 1, 2015, from pancreatic cancer in the Baton Rouge area, having returned to her native Louisiana later in life.3
In the aftermath, a local news report from WBRZ-TV stated that “Her estate was auctioned off for millions,” a striking claim that warrants careful analysis.10
The public-facing portion of her estate’s liquidation was an auction held by Southern Heirs Auction in Walker, Louisiana.12
The items offered were her personal belongings and memorabilia accumulated over a lifetime.
These included crystal, autographed pictures, fur coats worn by Douglas, a 1963 TV Guide award, and, as the “big ticket item,” a 5-piece bedroom set rumored to have been a gift from her
Frankie and Johnny co-star, Elvis Presley.12
While these items undoubtedly held value for fans and collectors, and the auction was expected to draw a large crowd, it is highly improbable that the sale of personal effects of this nature would, on its own, generate proceeds in the millions of dollars.
Publicly available auction records do not contain specific results for this sale, but the composition of the lots does not support a multi-million dollar valuation for the memorabilia alone.
A more plausible interpretation is that the “millions” figure reported by the news outlet referred to the total appraised value of her entire estate, not just the proceeds from the single memorabilia auction.
The primary driver of such a valuation would almost certainly be her real estate holdings.
Having worked as a real estate agent and owned property, and having relocated back to Louisiana to live, the value of her home or homes and any other land she may have owned would constitute the largest component of her net worth.5
The news report likely conflated the high-profile auction of her personal belongings with the total, much larger value of her complete estate, which would include real property, liquid assets, and all personal property combined.
The proceeds from the auction and the liquidation of the wider estate went to her only son, Danny P.
Bourgeois.12
In conclusion, Donna Douglas died a wealthy woman, almost certainly a multi-millionaire.
Her final net worth places her comfortably between the more modest estate of Irene Ryan ($1 million) and the more substantial fortunes accumulated by her male co-stars, Buddy Ebsen and Max Baer Jr. This wealth was not a windfall from her most famous role, but the hard-won result of a lifetime of continuous work.
It was built through decades of public appearances, a portfolio of small business ventures, savvy (and one unsavvy) litigation, and, most significantly, the prudent ownership of real estate.
Her financial journey, which began with a young single mother’s determination to provide for her child, came full circle as the substantial assets she built over a lifetime were passed on to her son, fulfilling her ultimate goal.
Works cited
- Max Baer, Jr.: ”We were not paid very well” on the Beverly Hillbillies – MeTV, accessed on August 10, 2025, https://www.metv.com/stories/max-baer-jr-on-the-beverly-hillbillies-cast-we-were-not-paid-very-well
- Bea Benaderet set the record straight about how much actors were making on television reruns – MeTV, accessed on August 10, 2025, https://www.metv.com/stories/bea-benaderet-set-the-record-straight-about-how-much-actors-were-making-on-television-reruns
- Donna Douglas – Wikipedia, accessed on August 10, 2025, https://en.wikipedia.org/wiki/Donna_Douglas
- Donna Douglas — The Movie Database (TMDB), accessed on August 10, 2025, https://www.themoviedb.org/person/83457-donna-douglas
- Donna Douglas had some odd jobs after stepping away from the spotlight – MeTV, accessed on August 10, 2025, https://www.metv.com/stories/donna-douglas-had-some-odd-jobs-after-stepping-away-from-the-spotlight
- The Life and Death of Donna Douglas – YouTube, accessed on August 10, 2025, https://www.youtube.com/shorts/Kyq9sgf5lag
- Donna Douglas Sued EVERYBODY – YouTube, accessed on August 10, 2025, https://www.youtube.com/watch?v=DWtjsTAHZJ8
- ‘Beverly Hillbillies’ Star Settles Barbie Lawsuit With Mattel – TheWrap, accessed on August 10, 2025, https://www.thewrap.com/beverly-hillbillies-star-settles-barbie-lawsuit-mattel-34000/
- Settlement in Elly Mae Clampett Barbie doll suit – CBS News, accessed on August 10, 2025, https://www.cbsnews.com/news/settlement-in-elly-mae-clampett-barbie-doll-suit/
- 70 for 70: Donna Douglas – WBRZ, accessed on August 10, 2025, https://www.wbrz.com/news/70-for-70-donna-douglas/
- Donna Douglas – Actress, Singer – TV Insider, accessed on August 10, 2025, https://www.tvinsider.com/people/donna-douglas/
- TV star Donna Douglas’ estate up for auction – WBRZ, accessed on August 10, 2025, https://www.wbrz.com/news/tv-star-donna-douglas-estate-up-for-auction/
- Donna Douglas on Jango Radio | Full Bio, Songs, Videos, accessed on August 10, 2025, https://www.jango.com/music/Donna+Douglas/_full_bio
- Remembering Donna Douglas, Mario Cuomo – YouTube, accessed on August 10, 2025, https://www.youtube.com/watch?v=DSWX9EeM9c0
- Donna Douglas Obituary (1933 – 2015) – Flint, MI, accessed on August 10, 2025, https://obits.mlive.com/us/obituaries/flint/name/donna-douglas-obituary?pid=173703871
- Donna Douglas Biography, Celebrity Facts and Awards – TV Guide, accessed on August 10, 2025, https://www.tvguide.com/celebrities/donna-douglas/bio/3000753213/
- Five Star award winner Donna Douglas, Realtor, ABR, accessed on August 10, 2025, https://www.fivestarprofessional.com/Spotlights/2562/Profile
- Donna Douglas – Frankston, TX Real Estate Agent | realtor.com®, accessed on August 10, 2025, https://www.realtor.com/realestateagents/56c7ac990fa41701007679a1
- Donna Douglas of Fathom Realty, LLC – Real Estate Agent | Listings and Contact Information – Land.com, accessed on August 10, 2025, https://www.land.com/member/donna-douglas/204221/
- Donna Douglas | Real Estate Agent in McKinney, TX – Homes.com, accessed on August 10, 2025, https://www.homes.com/real-estate-agents/donna-douglas/k0ctsrb/
- Donna Douglas Celebrated for Professional Real Estate Excellence, accessed on August 10, 2025, https://www.24-7pressrelease.com/press-release/449908/donna-douglas-celebrated-for-professional-real-estate-excellence
- en.wikipedia.org, accessed on August 10, 2025, https://en.wikipedia.org/wiki/Donna_Douglas#:~:text=She%20recorded%20several%20gospel%20albums,Stories%20with%20a%20Bible%20Touch.
- en.wikipedia.org, accessed on August 10, 2025, https://en.wikipedia.org/wiki/Donna_Douglas#:~:text=After%20acting%20career,-Douglas%20received%20her&text=Douglas%20frequently%20performed%20as%20a,mostly%20in%20the%20American%20South.
- Donna Douglas, 1933-2015, accessed on August 10, 2025, https://www.douglashistory.co.uk/history/donnadouglas.htm
- Donna Douglas Stunned Everyone As She Left the Beverly Hillbillies – YouTube, accessed on August 10, 2025, https://www.youtube.com/watch?v=Snvuw8jHuy8&pp=0gcJCfwAo7VqN5tD
- Donna Douglas Books in Order (17 Book Series), accessed on August 10, 2025, https://www.mostrecommendedbooks.com/series/donna-douglas-books-in-order
- Donna Douglas – Fantastic Fiction, accessed on August 10, 2025, https://www.fantasticfiction.com/d/donna-douglas/
- Nightingale Girls – Donna Douglas – Fantastic Fiction, accessed on August 10, 2025, https://www.fantasticfiction.com/d/donna-douglas/nightingale-girls/
- Books – Donna Douglas, accessed on August 10, 2025, https://donna-douglas.co.uk/books
- Books by Donna Douglas (Author of The Nightingale Girls) – Goodreads, accessed on August 10, 2025, https://www.goodreads.com/author/list/6450974.Donna_Douglas
- AMENDED COMPLAINT against All Defendants, filed by Donna Douglas. (Attachments – US Case Law, accessed on August 10, 2025, https://cases.justia.com/federal/district-courts/louisiana/lamdce/3:2011cv00297/41687/5/0.pdf
- Actress Sues Mattel Over Use of Likeness in Barbie Doll | Winston & Strawn, accessed on August 10, 2025, https://www.winston.com/en/insights-news/actress-sues-mattel-over-use-of-likeness-in-barbie-doll
- People: ‘Elly May’ actress settles lawsuit over Barbie doll – The Commercial Appeal, accessed on August 10, 2025, https://archive.commercialappeal.com/entertainment/people-elly-may-actress-settles-lawsuit-over-barbie-doll-ep-387359323-324182711.html
- MOTION to Dismiss with prejudice by All Parties for Douglas v. Mattel, Inc. – Justia Dockets, accessed on August 10, 2025, https://docs.justia.com/cases/federal/district-courts/louisiana/lamdce/3:2011cv00297/41687/20
- How To Calculate Buddy Ebsen’s Net Worth – PulsePoint Media, accessed on August 10, 2025, https://www.old.dabbaghwelfare.org/howtostartabiography/buddy-ebsen-net-worth.html
- The Beverly Hillbillies: Irene Ryan Was Shockingly Young When She, accessed on August 10, 2025, https://screenrant.com/how-old-was-irene-ryan-when-she-played-granny-beverly-hillbillies/
- Max baer jr height, accessed on August 10, 2025, https://cdn.prod.website-files.com/66f3e5f6ae8339b53f9672d3/6714425c7774278f26fce218_28524559322.pdf
- Max Baer Jr. – Wikipedia, accessed on August 10, 2025, https://en.wikipedia.org/wiki/Max_Baer_Jr.
- mysql.izenda.com, accessed on August 10, 2025, https://mysql.izenda.com/stock/nancy-kulp-net-worth-2024.html#:~:text=At%20the%20time%20of%20her%20death%20in%201991%2C%20Nancy%20Kulp’s,around%20%241%20million%E2%80%93%242%20million.
